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More Than Non-Negative

In Epiphanies on October 26, 2009 at 11:08 am

This post is long, personal, and perhaps with time could be better developed. I’ve been thinking a lot about this, and I know I’ll return to this theme again.

In a recent Daily Show interview, Barbara Ehrenreich said “I am always opposed to delusion.” Even, she emphasized, when the truth was more painful. The audience clapped, and I greatly identified with this sentiment. I do not like deception. I don’t like it when others try to deceive others, or when people try to lie to themselves. Ignoring what is true make me very uncomfortable, and oftentimes has led me to cultivate a segment of myself that is founded in negativity. This contrarian personality-bit has often been prominent, wanting mainly to destroy deception but, troublingly, not wanting to replace it with something positive.

Being a contrarian, being one who points the finger at bullshit, hypocrisy, and delusion is in many ways only a beginning. One only has to say “There it is!” or “I see some over there,” and merely identify bullshit, drag it into the proverbial Harsh Light of Day and congratulate oneself on a Job Well Done. Moreover, the contrarian can utilize her emotions of reaction and disdain, can say to herself “my hatred of delusion and desire for intellectual purity is useful.” The contrarian imagines herself as a bristling guard dog, a vigilant protector and herald of truth. The urge to destroy and tear down seems like an asset, even like something that should be cultivated.

The problem with this, though, is that one may turn into a mere naysayer, one who destroys but never creates. My images of this are Christopher Hitchen and Penn Jillette, two men whom I consider immensely amusing and occasionally stimulating, but whose ideologies seem ultimately unfulfilling. Regardless of their probable complexities, they seem to be mere corpulent destroyers, bellowing overgrown juveniles who put the highest value on smug destruction and another glass of scotch.

In addition, having a standpoint of pure reaction leaves one with the unrewarding feeling that one may be a bit of a coward. If all you do is attack and jeer, you are in an unassailable position. What do you believe? What are you for? That’s unknown. That can only be inferred by your arguments against things. If you have not bothered to erect any kind of real position for yourself, you know, at the back of your mind, that you are acting in a risk-averse way. Such behavior patterns invite self-doubt and regret.

Irony, cynicism, and reaction will only take you so far. They are useful tools, and may be a bit too much fun to use. Ultimately, one will be left only with the corpses of dead delusions, and not much in the way of real value surrounding oneself. “What did I do? What did I achieve?” One must be positive, constructive. Merely being non-negative is not existentially satisfying. Irony, beautiful blade that it is, is a poor building tool. Sincerity must be let it. For ultimate satisfaction, one must, include, and create and experience the opposite of the contrarian’s prevailing emotions.

Recent activities that I’ve found most fulfilling have been those that are non-ironic. I prospered most in Japan when I allowed myself to be inundated with the ambient sincerity of the landscape and traveled with what I hope was a minimum amount of judgment. More recently, I attended Burning Man and was in a Flaming Lips video. These are activities that could have invited some ridicule, but are rewarding and awesome precisely because of the verve and unabashed sincerity that pervaded the proceedings. I feel much the same way about writing.

The problem is, once you invite sincerity into the room, self-doubt comes with it. You may very well produce or do things that invite irony-laced criticism. Also, being in favor of construction, inclusion, and creativity means that you will have to share a certain amount of space with hokum. Not everything created or fervently felt will be worthwhile. There will be waste and error, precisely of the sort that one who is formerly so contrarian will be tempted to bark and snarl at. Spirituality, conspiracy theories, and baseless emotions will be impossible to entirely weed out from the conversation- indeed, the former cynic might find herself espousing some of those things in moments of weakness or nonlucidity. I found plenty of these during my recent hippie-flavored wanderings, and had to remind myself that these things were the byproducts of what were largely worthwhile experiences. Indeed, quelling the urge to bristle and argue made the experience more rewarding.

Another problem is the worry that with all your newfound sincerity, you’ll become the prey of some other contrarian, some other wolf just looking to sink her acquisitive teeth into someone who’s gone soft. The newly sincere find themselves wondering whether they will suddenly be on the wrong side of truth, find themselves playing with delusion, fancies, and hypocrisy and will have to bare their throat in shame after some other critic reveals their inconsistency and surrender to unreason.

This will happen.

Anyone who attempts to be constructive, to be creative and positive, will find themselves straying somewhere where they are not rational, where they do indeed lie to themselves and others. When some other predator does find the wayward, does bring them back down to earth, though, it should not be viewed as a defeat. Instead, the quarry should look to her pursuer and say “Thank you. Thank you for keeping me honest, for bringing me back to what I know are my true values. The flight into momentary delusion was a necessary risk of the creative process, however.”

Having trained oneself to point a finger at bullshit, to shout down hypocrisy, inconsistency, and deception, it takes a certain amount of discipline to stay in constructive, creative mode. The urge to call out the idiotic or unrealistic for what it is must be suppressed a little, and that small amount of restraint can be a niggling worry at the back of the former contrarian’s mind. There is an urge, a strong urge, to wipe the field of play as utterly clean, completely free of hypocrisy and delusion. The cynic can often think of the truth as a sort of absence, a blank, white desert where no sort of bullshit can grow. Pure and apprehendible, objective and unmistakable, but such a landscape allows for nothing at all.

As bleak as this sounds, though, I prefer going from negativity to sincerity, rather than the other way around. Instead of being a jaded former romantic who gradually has lost his illusions, I like coming from a standpoint where (for the most part) my negativity has learned to accommodate the positive. This has been a process of growth and loosening rather than losing illusions. As I’ve gotten older, I’ve found that I have gotten more positive, not less. This seems to be the opposite of the conventional wisdom, of young idealists having their visions crushed and becoming jaded cynics. There has been some of that, too, but for the most part I’ve found myself to tolerate the purely positive, which, in the end, is rewarding.

It is worth remembering that sincerity is not an inflexible master, that opinions and theses may be revised in the face of new evidence. Heartfelt belief in an error does not mean that one may not fix that error, nor that one’s decision-making capabilities are fundamentally flawed. With this in mind, one’s unabandoned contrarian mindset may be used as a kind of error correction mechanism with regards to whatever one is sincerely constructing. Irony and its attendant tools will not be used to create a flat, pure field of nondelusion, but rather as pruning shears of sorts, tools to make something positive prosper.

I’ll Miss You, Video Stores

In Movies on October 20, 2009 at 2:45 pm

Video Verite is one of the several chic little shops that lines Portland’s Mississippi avenue. It’s the kind of place that groups movies by director and has lots of obscure specialty stuff. Posters line the walls, and the whole place has a decidedly movie-geek feel to it. It’s precisely the sort of establishment that makes Mississippi (and Portland in general) “hip.”

Pity that it will be gone within the decade.

I just took back a DVD, and I know that eventually such an activity will be utterly obsolete. Even renting movies seems a little silly, as I know I could just download them if I wanted to. As of now, everything that a video store offers is more or less superfluous. They traffic in video information, and everything that they offer can more or less be found online. Video Verite, and all of its siblings, will soon go the way of the newspaper.

This disappoints me a little. I like going there. I like the decor and being surrounded by titles. I like the atmosphere and how the place looks on the street. The staff seems nice- last night I wanted to get An American Werewolf in London, but it was out. The guy behind the counter effusively recommended Dog Soldiers, as an alternative, though, and we proceeded to geek out over our shared love of Ginger Snaps. This sort of foray into geeky expertise, being surrounded by movie-ness, is fun. It’s neat to go into a place where you know that all sorts of things you haven’t thought of await, and there are people who will gladly help cultivate your taste in whatever you’re into. I also like things like movie stores (and book stores) simply as fixtures of urban life. It just feels right for Mississippi to have a store like that.

It’s not an efficient system, though. Don’t get me wrong- I’m completely on the side of advancing technology, and making information more accessible. However, I know that urban fixtures that I appreciate will be phased out because of it. Soon, there won’t be any more posters or movie geeks behind the counter. There won’t be any rows of DVDs (or even Blu-Ray discs) looking at you from the shelves. You won’t need to walk around in movie-ness any more than you’ll need to get newsprint on your hands.

Obviously this makes me a little sad and wistful. The process of technological advancement that I’m so fond of won’t be without side effects. One of my favorite businesses will go under, and I wouldn’t have it any other way.

How I Learned To Stop Worrying and Love Horror Movies

In Epiphanies, Horror, Music on October 14, 2009 at 9:56 pm

As I write this, I’m listening to Manowar. It is not what I would typically call “good” music, but I’m enjoying it so I guess that counts for something. I’ve been listening to metal all evening. Earlier this week I re-watched From Dusk Till Dawn, which is not what I could call a “good” movie, but I enjoyed it a lot so I guess that counts for something. Both the Rodriguez movie in question, and lots of splashy metal, belong to a genre of camp that I thoroughly enjoy, and have historically had trouble enjoying.

My basic thought process (or lack thereof) was that an entirely well-adjusted person would not find any enjoyment in things like gore, spikes, vampires, zombies, blood splatters, dismemberment, werewolves, monsters, slashers, etc. I worried not so much that horror movies, etc. would turn me into a psychopath, but that my fandom of such a genre betrayed some inner werewolfian nastiness. (I think the term “guilty pleasure” is a bit overused, but in my case my enjoyment of this stuff really was steeped in guilt.) If I was such a good guy, why was I smiling at all of the guns and blood?

It is worth noting that if stuff like splatter movies and heavy metal actually did earnestly portray violence, gore, and death, then they really wouldn’t be that much fun, would they? And, when I do see honest, real depictions of violence, I do get kind of queasy. You know that famous picture of a guy executing a Viet Cong? That picture is honestly and horribly terrifying. Watching George Clooney and Harvey Keitel blast the shit out of vampires, though, is my idea of a “romp.” When just enough of the edges are off, when it gets a little “safer,” this kind of thing seems kind of fun.

In the end, though, I can’t completely explain it and just have to accept that I know for a fact that I’m a pretty good guy. I also know that I like watching the undead explode. Thus far, wringing my hands over the matter hasn’t gotten me anywhere. I might as well just acquiesce to enjoying what I occasionally do and tell the guilt to take its business elsewhere.

So: Fuck it. I’m through with making guilt-ridden judgments or having reservations about my own enjoyment about campy, cathartic, fun portrayals violence. I enjoyed every bit of watching Clooney & Co. blast vampires into bloody smithereens, and right now I’m enjoying obnoxious, shouty music without a shred of guilt. Halloween is coming up, and I know I’ll be in the mood for horror movies aplenty, soon.

If you don’t like it- fine. I have headphones.

"There is Grandeur in This View of Life."

In Atheism, Epiphanies, Religion on October 10, 2009 at 6:13 pm

I just saw Richard Dawkins speak. Pardon me, but I’m feeling inspired. I enjoy being an atheist, and am happy because of it. A few reasons why:

No external divine benediction is necessary for things to be beautiful, meaningful, of value. Being an atheist, I know that I must make my own way in the world, that I must pursue what I find rewarding, what makes me happy, what is good. No other force will deliver this. No god, angel or saint will come to my, or anyone else’s, aide and therefore I know that I must be active in my pursuit for satisfaction in life. The only life that I’ll ever have, wherein I know it is my duty to make it as good as possible.

Likewise, I know that things are wonderful not because hint at something larger or divine. They are wonderful because they are. Sunsets and reddening clouds need not be orchestrated by god to be beautiful. Beauty, in absence of director or agency, simply is. It springs up and presents itself out of literally the basic building blocks of the universe. With the intercession of absolutely nothing, the world is supremely amazing.

When I look at another human being, I know that I’m looking at one of the most complex phenomena that exists in the universe, a system like myself that contains depths and wonder. We are complicated. We are amazingly and wonderfully fascinating and beautiful, and it is intrinsic. If we attribute our higher emotions and impulses to the divine, we sell ourselves short. By saying “all good comes from God,” we severely discredit ourselves. Human beings are wellsprings of empathy, creativity, love and compassion. We are authors of profound goodness. No divine being interceded and to create the love between you and your family and friends. No angel is overseeing the connections so many make on a daily basis. That comes, entirely, from ourselves, and for that we should be joyful.

To those who say that such a view of the world is “mechanistic” I’d reply- what a glorious mechanism it is. How wonderful and amazing it is that such a mechanism, the universe, exists at all, and has managed to produce life, intelligence, and and wonderful phenomena all by itself. It is a “mechanism,” yes, and it is precisely because of that that we exist at all. It is precisely because of the mechanistic achievements of the cosmos that we have stars, planets, life, multicellular organisms, intelligence, and creativity. It is precisely because things are mechanistic- regular, predictable, systematic- that we have evolved here in all of our functional complexity. That mechanistic view of life itself, of the world itself, should not be dismissed as cold. Instead, we should see the system of the world for what it is, a glorious set of machinery so amazing that it encompasses love, humanity, and the whole spectrum of who we are.

It is all there is, and it is enough.

In Praise of Coffee Shops

In Portland, Social Conventions, Writing on October 8, 2009 at 4:19 pm

Working at home is possible, but it takes discipline. One must focus intensely while the objects of leisure are right there. I’ve been working on a manuscript for a while, but to write or edit at home, I have to ignore the Internet, video games, my roommates, and my books. I have to shut out people who may be over, or other stimuli that seems to show up at my house on a fairly frequent basis. Besides, this is my home. This is where I relax and do fun things, the place where I sleep, read novels, and watch movies. I associate it with idleness and off-time.

Fortunately, there are coffee shops.

I’m convinced that coffee is not really the primary product of most coffee shops. Coffee is something I adore, and if I don’t have either it or tea I usually am in for at least a noticeable headache later in the day. However, the primary product of coffee shops is really a place to sit. A place, outside of your house, to read, socialize, or work. I’ve found them an ideal place to focus on my manuscript about Japan. I finally printed out the material I have so far (224 pages, single spaced) and have been editing it for the past week and a half.

I sit there for an indeterminate amount of time, imbibing my favorite stimulant, and spilling red ink. Without fail, there is someone else with a laptop or a notepad or some other such portable object whom I often imagine working away on a similarly creative endeavor. I like the simple presence of others, and I like the atmosphere and smell, the piles of alternative weeklies in the corner, and the paintings on the walls with price tags like footnotes. Oftentimes, there’s some kind of music playing, usually jazz or some obscure imported genre that is simultaneously interesting and easy to ignore. I like that, too, a low-level white noise that eases attention to detail.

I’ve been staggering which ones I go to, and seeking out new coffee shops. Yesterday, I found a new one in Southeast, in the Hawthorne District, a converted house filled with paintings. The owner had dragged in an old-style school desk which I found too amusing not to sit at. When I went in, there was a guy on the porch reading a newspaper. He was there when I left, too. Across from me a guy with extremely long hair and hemispherical earphones sat at a laptop for the entire time I was there. A girl reading what looked to be a gigantic novel said “thanks” to the counter guy as she left, and he said “see you tomorrow!”

Not home, not an office, but another node or point of contact, another place on the map that can be used as “base,” a resting zone. If all coffee shops had was coffee, I wouldn’t go to them nearly as often, wouldn’t drink nearly as much of the stuff. I go there for the state of mind, the focus, go there to be outside and at rest at the same time.

October: It’s Neat!

In Epiphanies on October 5, 2009 at 9:35 pm

Tonight I saw the huge, yellow moon low on the horizon and thought that yes, October is precisely the time when you expect to see such a gigantic moon, even though, really, you should be able to see them every month. There it was though, illusionarily large and round and bright and autumnal and I was happy to see and feel my absolute favorite time of year, all around.

I like October a lot. Of course, I’m biased since I was born in this month. I sort of like it by default. There are plenty of other reasons, though. This is the time when all of the leaves turn things get windy. You can now, if you want, wear a jacket. Or just a t-shirt. If you want to bust out a scarf at night, that’s perfectly alright. It’s a kind of equilibrium weather, warm and cool and windy and calm all at the same time so you can take your pick as to how you react.

There’s cider. Cider coming out of taps and in bottles that advertise the season, cider in heavy glasses on heavy wooden tables that are, indeed, around all year but seem at home in what is now unmistakably autumn.

In stores all kinds of nasty things are suddenly acceptable- toys and accessories that feature the weird and grotesque are no longer in contravention of social norms. For a bit everyone, a little, admits that they really do like the dark. They really do like, a little, things that are not exactly positive. It’s suddenly okay to revel in the strange, to enjoy the sight of blood and flesh, to admit that things that excite us and scare us are often the same. Horror movies and tubes of fake blood are consumed in record amounts, and if we are going to know anxiety and fear, at least we should have some fun with it and make sport of our own racing hearts.

Piles of leaves flurry all over the place in patterns and whorls that allow you to “see” the wind in a matter of fashion, and the really big storms that shake the trees and snap off branches start up. This is significant weather. This is not passive or monochromatic- this is not boring or endless. These winds are intent on changing the environment, bringing things down and snapping pieces of the world apart. They will make themselves heard and their presence known, and for that I respect them even if they are troublesome, because part of me prefers dynamism and action to peace unpunctuated.

Everyone gets creative. “What are you going to be for Halloween?” Ideas and hypotheticals are tossed around freely, projects are embarked on and things contrived, built, and shown off. There are parties. Often several. Portland is bedecked with advertisements for haunted venues, and I should take in at least one. This month people build personal contraptions of weird, display their own craftiness to an extent unshown otherwise, flourish their arms and say “look what I made!” (It is for this reason that my birthday party has a fanciful theme.)

October, though, seems to have this sort of balance about it. Equilibrium between the year’s other extremes and excesses. It is not summer, not winter, not cold, not hot, not anything that is somehow immoderate. It is all of those things, open to interpretation, democratic. It is transitory and therefore all encompassing (maybe I’m imagining that) and the month that I continue to love the most.

Why Finally Reading David Foster Wallace Was Good, But Also Kind of Sad

In Books on October 3, 2009 at 6:44 pm

I’d been ignoring David Foster Wallace for a while. Mainly because of Infinite Jest, which I still haven’t read. Infinite Jest is a huge and imposing book and honestly it intimidates me even more than Ulysses did. I will read it. I will unhinge my jaw and devour the entirety of a North American buffalo. This will happen, yes, mainly because I’ve now read A Supposedly Fun Thing I’ll Never Do Again, one of DFW’s essay collections.

The best thing about ASFTINDA is DFW. The essays are about stuff like tennis and cruise ships, topics that I normally wouldn’t care at all about, but I cared about them because DFW’s perspective and style was such that he allowed me to care about him. In other words, I really liked him. Not just as an author, though. There are plenty of authors whom I quite admire but would never really want to meet in person. Hemingway and I would not have much to talk about. DFW, though, seems exactly like the sort of person with whom I could relate, even be friends with. This happens very rarely with me and media figures, but it happened with DFW, and I found it quite frightening given that he put himself at the end of a rope last year.

There are plenty of suicidal people whose work I enjoy and think were geniuses. Abovementioned Hemingway, Woolf, Akutagawa, and Mishima all offed themselves, and that doesn’t really bother me all that much. That might sound callous, but it’s true. I guess that’s because, really, I wouldn’t really ever have wanted to hang out with them or see myself in them at all. However, I was able to see a lot of me in DFW (does that sound really arrogant?) and that was sort of weird.

He has all sorts of little affectations which I found at once horribly pretentious and also utterly charming. He uses 24 hour time notation, uses the abbreviation “w/r/t/” without explanation, and has a joyous and unrestrained love for footnotes. He is unapologetically what one would call an “intellectual” and thinks the fuck out of things like carnies and corn dogs while finding dread and anxiety in the Illinois State Fair. On the back of ASFTINDA he smiles sweetly through stubble and slightly unkempt hair and I realize that I don’t just want to hang out with this guy, I want to be this guy. I want to be funny, smart, respected, and successful in the same ways he is funny, smart respected, and successful. Under normal circumstances he would be what is known as a “role model” for me (can 28 year old adults have role models?) but I’m still really bothered by how he died, i.e., at his own hand.

I think that suicide is, for the most part, extremely unreasonable. If someone’s in immense terminal pain, I can certainly understand that, but most of the time I think that there are reasonable alternatives for functional adults. At the risk of sounding immensely insensitive, I think that able-bodied people who commit suicide are usually, at best, shortsighted and, at worst, cowards.

Knowing that this guy whom I’ve been admiring so much for the past week succumbed to that is really, really troubling. DFW suffered from chronic depression, yes, and was attempting to go off his meds when he offed himself. I guess that’s a mitigating circumstance or something. Still, it’s weird to see a guy who has precisely what I, personally want out of life- intellectual acuity, my name in print, and sex with smart, creative women – radically admit to unsatisfaction. I’m thinking to myself, Jesus Christ, that wasn’t enough. That didn’t make you fucking happy? You had it fucking all. (At least for a certain nerdy, literary definition of “all.”)

One of the recurring conversations that I’ve had with Seph is that there very well may be a certain baseline of happiness/depression. One may be satisfied/exuberant for a time, think that one has “made it” or whatever, but eventually you just readjust your expectations and desires and end up in the same kind of happiness/blah-ness cycle that typifies most of life. There is nothing, really that can make those heavy, gray days (and weeks and months) go away where you know that most of your internal switches are in the “off” position. Abraham Maslow is famous for saying “Whatever our sorrow, it fills us up.” I’m never going to off myself like DFW, but from his experience I know that if I ever am hypothetically successful I’ll still have rather grim periods, and that’s a nasty little truth to face.

God, what a fucking downer of a blog post. Shit. I should say something positive.

Oh, yeah- ASFTINDA is awesome and you should read it. Reading it made me want to write, and I think that’s one of the nicest things that one can say about a writer. I was reminded why I like books so much, and after I finish up the pile of tomes presently dominating my bedroom floor, I know that sometime before I leave Portland (I’m thinking early next year) I’ll be shoving Infinite Jest into my brain.

On Roman Polanski

In Epiphanies, Movies on September 28, 2009 at 10:58 am

I like Yukio Mishima. Confessions of a Mask is a great book about alienation and isolation in the face of societal expectations. I like Yukio Mishima despite the fact that he held deplorable, racist, nationalistic opinions. Moreover, he ended his life by first kidnapping the commandant of the Japanese Self-Defense Forces, and then killing himself in a grisly ritual. Yukio Mishima was a hideous, awful person. A horrible man, and eventually a criminal. This does not mean one may not read and enjoy his books. What this does mean though, is that he has to be read with a certain amount of conscious criticism. “This interesting work of neatness,” one must recall, “was written by a horrible, whacked-out lunatic.”

This isn’t just limited to individual artists. Most of the very shiny wonders of the world are the result of rather nasty absolute dictators doing fairly awful shit. The terra-cotta warriors in Xi’an, China, for instance, were basically a vanity project for a monarch. Qin Shi Huang decided that he wanted a fancy tomb, and poured an unreasonable amount of China’s budget into making a work of art that only his corpse was going to be able to enjoy. He so infuriated people with his monument to himself that after he was dead the place was burned to the ground out of (deserved) spite.

Think about it: One of the most iconic pieces of archaeology in the world started as a an act of extreme hubris, arrogance, self-aggrandizement and waste. And now it’s a well-visited UNESCO site. Think about the pyramids. Slave labor. The Parthenon. I doubt that Pericles was a union-friendly OSHA-following kind of guy. These are great works of culture and art that were also awful wastes of life, and we need to acknowledge that.

Which brings me to Roman Polanski. Here we have more good art from a bad place. If I had to summarize my opinions about the guy, they would basically be “Fuck Roman Polanski.” Allow me, though, to expand…

Roman Polanski drugged a thirteen year old girl alcohol and quaaludes and then raped her. There were witnesses, and he pleaded guilty to precisely this. Later on, he evaded the authorities and attempted to dodge the punishment that society would mete out on any similar rapist. He also makes pretty good movies. So good, that lots of people are embarrassing themselves by sympathizing with him.

The question is- can one watch his movies without guilt? Does watching, and praising, Polanski’s movies make the viewer a party to rape of a thirteen-year-old girl? If you like his movies, does that put you on “his side?” I’d say “mostly no.” Lots of people, like Nicholas Sarkozy, seem to be thinking “Oh, I like his movies, so therefore I’m in favor of clemency for this guy.” This line of thought is unnecessary and unfortunate.

First- If you try to limit your consumption of art and media to only stuff that was made by morally enlightened people, you will have a hard time of finding anything to fill your brain with. Sean Connery thinks its okay to hit women. He’s been quoted as much. Are you going to stop watching James Bond movies? Are you going to never watch Last Crusade again? Didn’t think so. You do have to separate yourself from the art, and recognize that deplorable, awful bastards can be capable of making things that are neato.

Second- I would posit, though, that since Polanski committed an extremely serious criminal act and has subsequently evaded justice, it is okay to watch his movies, but not to pay for them. Moreover, the world would do well to not burnish his reputation by throwing awards at him. I’m kind of reminded of Pete Rose, even though I don’t like baseball very much. Pete Rose bet on his own team to win, which I always thought wasn’t that bad a thing to do, and was shut out of the Baseball Hall of Fame. Polanski raped a girl and got an Oscar. Even though I think that MLB erred on the side of harshness, they’ve got the moral edge over Hollywood in this comparison. If a guy doesn’t follow the rules, he doesn’t get the accolades.

In the meantime, I think that it’s perfectly acceptable to download Polanski’s movies and watch them without paying for them. If anything, I think that’s how the viewer can absolve themselves while watching them. Once he’s dead, though, feel free to pay for the things.

Third- Film is a collaborative art. I do admit that I want to see Chinatown, but it’s not just a Roman Polanski movie. It’s also a Jack Nicholson movie. The finished products contain the creative efforts of lots of people. Polanski was just the guiding force of all that creativity and work, and even though you are watching his stuff when you watch one of his movies, you are also watching the work of the writers, cinematographers, actors, editors, and guys who work the lights. One or two of them were probably alright dudes.

But, with all of that out of the way, the man should be in jail. Oscars are not reasons for clemency, and I believe that liberal, democratic, rule-of-law societies would do well to punish child rapists, be they famous or obscure. The victim has asked for the charges to be dropped, but mainly because she’s tired of the press attention. I can understand, really. If I’d spent the past thirty years best known as a victim, I’d want it all to go away, too.

But, when it comes to violent crimes like this it’s not up to private citizens to decide that everything’s okay. I like living in a society where rapists will most certainly go to jail. His awfulness does not change the status of his art. We can still admire, the terra-cotta warriors, the pyramids, the Parthenon, etc. However, we must acknowledge their bloody origins, and not fool ourselves as to how they came to be. Likewise, one may read a Mishima book or watch a Connery movie and know that the art came from someone who, really, was an awful sort, but who managed to occasionally spurt wonderful things into the world.

So, one may watch Polanski’s movies without being an apologist for the man. Hopefully, viewers will be watching them, though, while he only gazes at the walls of a cell.

Tough Chicks

In Athletics, Eugene, Seattle, Sex on September 27, 2009 at 11:52 am

About two weeks ago I found myself in Seattle, watching several scantily clad women run around and tackle several other scantily clad women. They were, theoretically, playing football. Not very good football, mind you. There weren’t many completed passes, and the game was pretty lopsided, score-wise, but there were scantily clad women, which theoretically made up for that. (American football, by the way, is a game that I would be more into if there weren’t so many interruptions. It’s tactically interesting and can be exciting in fits and start, but the pace of the game really kills it for me.)

It was the opening night of the Lingerie Football League in Seattle, and as semi-amusing as I find the conceit I could not help but be reminded of the XFL, the failed and gimmicky “extreme” football league started (and folded) some years ago by wrestling mastermind Vince McMahon. Like the XFL, lingerie football seemed extraneous- an established sport with a patina of something allegedly interesting on top of it. The “extra” part of it, though, the girls and their semi-unclad states, was not sufficient to really hold my attention. Even though two teamsworth of conventionally attractive women were piling on top of each other (though not especially well) I didn’t really see too much of a reason for the league’s existence other than the brief novelty we were all enjoying in our variously semi-drunken states.

The whole time, I thought to myself “Roller derby is much better.” The comparison was unavoidable, really. Both are active spectator sports, and both feature attractive women falling down. The next week, miles southward in Eugene, I got to view my preferred ladysport, watching the last bout of the year of the Emerald City Roller Girls.

Unlike lingerie football, roller derby is something wholly new and other. It is not an approximation or copy of something else, not a parody of something established. The image I got of lingerie football was some barker saying “Hey, buddy! Yeah, you! You like football? You like bitches? Well guess what we have! We have bitches playing fucking football! You like that? Yeah you do. Get in there.”

Roller derby, however, is it’s own realm and species, unlike other forms of competition. Because of this, the attitudes and sexiness of it all come across as intrinsic and essential, an organic part of it without pretense or artifice. Moreover, it has teeth, and the teeth are half the reason I enjoy it so much.

For some reason or another, roller derby has become a sort of hipster/punk/indie/etc. event, a spectacle bedecked with skulls, flames and attitude. The derby girls sport noms de track such as “Lil’ Whip-Her Snap-Her,” “Bettie Aim Fire,” “Slapcat,” and “Reign of Tara.” Team uniforms are not uniform at all- embellishments and flairs of individuality are common. There may be fishnets here and garters there, flashes of nonuniform color or different stuff on helmets. The roller girls really do look a lot like a gang, like a bunch of like-minded people who just happen to dress in a very similar fashion.

Once they start rolling, the action itself stays, and interruptions are usually only about thirty seconds. By definition and nature derby is about speed and maneuvering, tactical issues that carry the unavoidable side effects of people falling down. It is jostling through a crowd, except the crowd is zooming and turning. There is action, music, and spectacle. Lingerie football billed itself as something explicitly prurient, and for that reason my interest in it (and the girls) flagged. Roller derby is not prurient. It is a real sport. There is impassioned competition flying by, courtesy of those wheels and axles. There is a sheen of sexiness upon it, but like I said that sexiness is emergent rather than applied. Watching the roller girls, I found them in their embellished uniforms far more interesting than any of the football chicks. Given the choice, I know which breed of female I would rather chat up.

Which brings me to a larger point. I’m going to ignore the creep-factor of a single guy talking about chicks, and talk about them anyway.

I’d take Bettie Page over Marilyn Monroe, thorns over roses, Suicide Girls over Hustler. My preferences are by no means radical or even all that unusual, but I like to think that this choice of attitude and aesthetics says something positive about me, makes me a better man in some respects. I would by lying if I said that I didn’t feel superior to “ordinary” guys because of these preferences. I set myself apart from the rotund guys wearing football jerseys because I think “I get off on better quality shit than you do, suckers.”

I don’t think that this is simple arrogance. I really, honestly do think that roller girls are sexier than lingerie football girls, and I actually do think that finding them so is the more enlightened/feminist/socially responsible/generally interesting position. The conclusion that I’m drawing here is that I like women who are actually ambitious, creative, and idiosyncratic. By extension, I’m putting guys who like conventional blond bimbos in a negative light- supposedly if I like these things, they don’t, and I, therefore, have a cozy place where I can feel arrogant and superior.

This does bother me slightly, but turning the idea over in my head I can’t get away from the feeling that I am, in fact, right. Heres why. The lingerie football girls all seem to be approximations of some kind of cenerfoldian ideal that remains unreached, and therefore they do not become as interesting as their skate-mounted counterparts. (By the way, I’m sure that individually they could easily be highly cool, but I’m dealing in generalities and images here.) The derby girls, on the other hand, seem to have dispensed with such uniform pursuits and mostly just present themselves in a way that they find interesting and suitable. This is much better, and why the aesthetics of roller derby interest me much more.

Armpieces, centerfolds, and trophies are boring. I don’t think this is a misogynistic conclusion to come to. If anything, I think it’s a very feminist position for a guy to have. I don’t want to personally associate myself (or find myself in the position of wanting) a girl who has all the personal constitution of a well-soaked piece of gingerbread. Granted, both the lingerie football and derby girls were presenting themselves as tough. But, in the case of the football girls, it was a kind of parodic and cute toughness, as if inviting us to say “Aw, look! The chicks are doing boy things!” Roller derby, though, has none of that.

I’ll probably never go to another lingerie football game, but I’m definitely catching roller derby again. The Rose City Rollers are supposed to put on quite a show, and I’d love to see it on a banked track, rather than a flat one. Wheels and attitude. That’s what will keep me coming back.

A Most Satisfying Encounter With the Flaming Lips, a Horde of Very Nice Naked People, and a Giant Spherical Vinyl Fur-Vagina

In Music, Nudity, Portland on September 25, 2009 at 2:37 pm

K posted it, and I saw the call up. The Flaming Lips were shooting a music video in Portland, on Mt. Tabor, and they needed naked bicyclists. This was too good to pass up. I am a bicyclists, and in a few moments I can easily turn into a naked bicyclists. I, along with my friend K, were definitely going to this thing. We met up, biked to Mt. Tabor, and sought out fame, fortune, and rock ‘n roll nudity.

I was not expecting Wayne Coyne to actually be there. I imagined that the whole project was going to be overseen by a director or producer with a pre-approved shots and images to capture. A limited amount of people, I thought, would be told where to stand and what to do, and it would all be very scripted.

I was utterly and completely wrong. Instead of some functionary that I’d never heard of overseeing the shoot, The lead singer himself was addressing a crowd of semi-clothed Portlanders and explaining the dilemma at hand. Earlier in the day, Coyne and the crew had been filming people riding down a hill on their bicycles entirely naked, as was the plan. The park ranger, however, had come by and told them that such absolute nudity was not an appropriate activity upon Portland’s mini-volcano, and demanded that everyone’s bums and junk get covered up.

So, as K and I approached the crowd Coyne explained the solution: The next day the shoot would move to Sauvie Island, where full nudity would not be a problem, and there would be more space anyway. For the time being, though, he wanted to utilize the pretty environment. The solution: guerrilla nudity. On a more visible path, several people would be wearing underwear, there would be lights, and lots of whooping. It would all be a diversion, though, designed only to look like filming was going on. The real shot would be down below.

About twenty of us descended down a path for a shot of naked people pushing Coyne’s trademark hamster ball (which he calls the Space Ball) up and down a hill. “Okay,” he told us, “we have to do this quick. I don’t want anyone to get arrested or in trouble. When I say ‘go’ the underwear comes off, and as soon as we cut, put it on again.” We got around the big ball, pushed it around, and no one was completely naked for more than thirty seconds. It was still a lot of fun, but only a taste of the next day’s activities.

“Wow,” said Coyne after we’d pushed the ball up and down the hill a lot, “for a bunch of naked people you really don’t smell that bad.”

The next day’s shooting, though, was an entirely different matter.

The lot of us (and our bikes) bused out to Sauvie Island where Gus Van Sant apparently has a house and a fair amount of property, and the director, according to Coyne, was quite enthused about having his land invaded by a bunch of enthusiastic naked people. The house itself wasn’t all that opulent looking, but Van Sant has quite the enviable lawn, some nice woods, and a small beach at Sauvie Island. I could think of worse things to spend millions and millions of dollars on.

The day’s shooting consisted of a few main scenes- a longer shot of a mob of naked bicyclists, filmed on Van Sant’s sizable wooded driveway, more shots of people rolling the Space Ball around as well as us lifting it and Coyne above our heads and carrying it away. The main set piece of the day, though, involved another, similar inflatable ball. Except this one was covered in fur. And, it had a giant vinyl labia on the front of it.

Here’s a (NSFW) picture of it.

The whole album, Embryonic, is all about birth and whatnot, and the big idea of the video was that all of the naked people got shot out this giant spherical fur-vag and we were a bunch of reveling, newly-born primitives who encounter Coyne, a supposedly magical being in a crystalline Space Ball and we think that he’s special in some way or another. But, his Space Ball deflates, we see that he’s just another fleshy organism just like us, so, like any right-thinking group of whooping nudists we of course pull him from his deflated Space Ball, strip off his clothes, and then carry him off, subsequently stuffing him into the giant, hairy mother-vag that recently spat us all out. Very straightforward.

K, who was pregnant, said that the big, round fur-vag would proceed to dominate her maternal anxieties.

I was pleased to be among the twenty or so people involved in the birthing scenes, and even though I didn’t get to crawl out of the orb-shaped birthing fuzz myself, I did get to hoist a few people out of it. I can say, with a certain amount of confidence, that it was the first time in my life that I’ve ever hoisted naked strangers out of a comically large set of female genitalia. K, though, was fortunate enough to get spat out of the thing, which will probably be good practice for when she has to eject a smaller human from her various biological systems. (“I love it that you’re pregnant,” Coyne said to her, “it goes with the whole birthing, mother thing. That’s great.”) The feeling of the birth scenes was great, what with people shooting out of the giant vag and the rest of us whooping, hollering and generally carrying on in the buff. “Everybody freak out!” began to replace “Action!” as the directorial command of choice.

A bit on the nudity- I was sort of surprised at how non-sexual it all was. One would think that getting naked with a bunch of reasonably fit bicyclists would be an invitation for general bawdiness, but it seemed that everyone was trying very, very hard to not be pervy. I restrained myself from checking out the various highly attractive women too much, and in general the atmosphere was towards revelry and whimsy rather than lewdness.

There was more shooting of naked bikers, and towards the end of the day we did some night shots all carried Wayne Coyne’s naked body aloft over our naked heads. I was happy to be one of the guys hoisting him above the crowd, and can go to my grave with the knowledge that my hand has full on cupped middle-aged ass of the lead singer of the Flaming Lips, for whatever that’s worth.

The whole affair was easily the most naked people that I’ve ever seen in one location. Even after seven years in Eugene and attending Burning Man, I’ve never encountered that many bare asses in one place at one time. It was sort of freeing and relaxing, really, to just be standing around completely nude and not giving a shit. Not that I’m going to stop thinking that nudists are weird- they are. But, it was great to have an opportunity to do weird shit for a purpose. The crowd was fun, though, and I was impressed with how hands-on the Flaming Lips were with the making of their own video. It will certainly not be the product of intermediaries or a studio- it will be unequivocally theirs.

The video should be released sometime in the first half of October. Hopefully me and my ass will be in a shot or two.