Archive for October, 2010|Monthly archive page
Look! Horsey!
In Portland on October 31, 2010 at 4:14 pmSome Underrated Monsters
In Art, Horror, Japan on October 30, 2010 at 9:14 amOne of the better books of ghost stories I’ve read was Lafcadio Hearn’s Kwaidan. Hearn was one of the first Westerners to be nationalized as a Japanese citizen, and he loved the folklore from his adopted land. Most people now think that his wife, a Japanese woman, had just as much to do with the book as he did, but he was a dude, it was barely the 1900s, and his name was put on the book.
Anyway, the thing that I find sort of creepy about Japanese mythology is that there are a disturbing amount of stories where a guy marries a lady, and then the lady turns into an ice witch or crane or fox or some other variant, often abandoning her husband once he learns her secrets. One can play armchair psychologist and wonder what this says about Japanese culture, but the idea that beasties are actually in your living room rather than out in the dark woods is niftily squicky in a pod-people sort of way.
Hungry ghosts are also genuinely spooky. Vampires are supposed to illustrate the horrors of thirst, hunger, and general lack of satiation, I suppose, but anymore they’re way more about leather and sexy times than anything else. Hungry ghosts, dried out husks forever trying to satisfy themselves, seem actually damned.
Anything William Blake Ever Painted
William Blake is one of my favorite painters. He was also probably insane, and his paintings of scenes from Dante’s Divine Comedy are fairly creeptacular.
About A Certain Urban Nickname…
In Portland on October 14, 2010 at 8:12 pmI’ve never liked the name “Rose City.”
Portland, to me, has never been the “City of Roses.” That name reeks of airbrushed idealism, it seems forced and false. The idea of this place as some sort of fragrant garden, some sun-dappled manicured lawn redolent of blooms and buds seems hugely false. The region is fertile, yes, it is green, certainly, but it has never struck me as particularly rosy.
The everpresent evergreens seem a better symbol, as do the layered and enveloping clouds. This city isn’t suggestive of brightness and perfumed plants. This place is rain-soaked. It is green and awash more with the scents of coffee and hops than any ornamental plant. Roses are an ignored ideal. Portland deserves a sobriquet.
“Puddletown” is more accurate, but there are rainy cities everywhere. Such a name is not terribly unique. A better fit is “Bridgetown,” a name that brings to mind our wonderful and inspiring urban infrastructure. “Stumptown” speaks to the actual history of the place, and is a reminder that we stand in the middle of what once was a dense forest. Even “Rip City” works better than the floral monikers. It is full of nonsensical bravado, reminiscent of Drexler-era games of NBA Jam. But, it calls to mind something real, a time when the Trail Blazers were a force to be reckoned with.
All of these are good. All of them are better than the too-cheery names “Rose City” or “City of Roses.” All of them seem to have more of that very in-demand commodity; authenticity.
I hope that the roses fade, that “Stumptown” and “Bridgetown” gain primacy. A stand of evergreens or the spires of the St. Johns Bridge are more real and more inspiring symbols of our metropolis than any non-native flower will ever be.
We are Stumptown, Puddletown, Bridgetown, even Rip City. Roses, it seems, just happen to grow here.
"I Don’t Create. I Own.": In Which I Finally Watch Wall Street
In Movies on October 8, 2010 at 9:53 pmGoodfellas is, ultimately, a movie about how hollow and empty the life of crime is. Chances are, says Goodfellas, that you’ll probably end up dead. Or, if you don’t, you’ll at least end up washed up and existentially empty.
Yet when watching it one thinks, “Being a gangster sure looks like fun, what with all the snazzy suits and easy money.”
Wall Street is, ultimately, a movie about how hollow and empty the life of stock trading is. Chances ares, says Wall Street, that you won’t produce anything and you might go to prison. Or, if you don’t, you’ll at least end up washed up and existentially empty.
Yet when watching it one things, “Being a stock trader sure looks like fun, what with all the snazzy suits and easy money.”
I finally sat down and watched Oliver Stone’s eighties epic this evening, and while I enjoyed all 125 of its minutes, I couldn’t help but feel that the movie kind of misfired. Reason being, I ended up being utterly charmed by Gordon Gekko, the slimy stock trader who was really supposed to be the villain.
Make no mistake- Gekko is presented as a reprehensible person. He’s a lying, manipulating bastard who plays other people to get his way, and wholly owns that. The “greed is good” speech has been widely touted as summing up the movie (and in context, it is pretty badass) but when Gekko proclaimed “I don’t create. I own,” that really summed up his character for me. He owns his leechlike state. He touts his non-contribution to civilization as a point of pride.
He does not provide any good or service to anyone. He enriches himself on the labor of others. He can decide the fate of thousands of people, yet in the end he’s little more than a petty oligarch.
Yes. I got it. I was totally on board with Wall Street‘s anti-corporate message.
The problem, though, is the Michael Douglas, as Gekko, is pretty damn charismatic. He eats up the screen, chews up and spits out the scenery, dominates the entire film, and is ultimately just bigger than anything else around him. He’s huge, vibrant, attractive, and looks like he’s having a great time. I had a hard time hating him, even though he was so obviously a son-of-a-bitch.
This is why Wall Street, at the end of the day, is something of a failure. At least ideologically. After seeing it, I kind of wanted to go to New York and blow hundreds of thousands of dollars on steak dinner, hookers, cocaine, and abstract art; all the while surveying the Manhattan skyline from a lofty perch. I will bet you anything that there are swarms upon swarms of WASPy little douchebags infesting trading floors and financial institutions because they were inspired by this movie.
Hell, I’m super-liberal, borderline-socialist, tree-hugging, crypto-hippie, and I was nearly inspired to go put on a pair of suspenders and become a professional swindler. Imagine what it could do to someone more nastily disposed. At Goodfellas is about the mafia, an organization that is sort of hard to join. Wall Street, though, is about the financial service industry, an industry that hires people all of the time.
And that’s why Wall Street is, ultimately, a failure. Its heart is in the right place, but its inspiration points staunchly in the other direction.
In Praise of the Satchel
In Uncategorized on October 8, 2010 at 2:19 pmBookbags are heavy, unfashionable, and reminiscent of Mormon missionaries and high school students.
On the off chance that any of those guys are reading this, I would like to address them specifically for a moment. All of you guys who, for some reason or another, think that the satchel is vaguely girly.
Men, do not let this obvious bit of utility pass you by. We have the technology to carry around day-to-day items. You need not shirk from this innovation, this satchel. It is useful, it is nice looking, and (don’t worry) it’s definitely not a purse.